STEPHEN
LAPTHISOPHON
EDUCATION
1986-1989 Northwestern University, Comparative Literature and Theory
1979
1977
SELECTED SOLO EXHIBITIONS &
INSTALLATIONS
2006 My
Task, solo exhibition/ installation Kunstverein INGAN
Also Serve, Only Stand and
Installation as part
of “Humans Being: Disability in Contemporary Art”
2005
My Heritage My Tradition My Voice,
(Artist
in Residence project)
Strategy, Conduit Gallery,
Plan
for the Future, IR Gallery,
“so many bewildering and obscure processes…”,
Contemporary,
2004
Amanuensis (I Hear a Symphony), Gahlberg Gallery,
Walk on By, Open Studio Project, City of
Affairs
Was it for this? Sound installation, Lincoln Park Conservatory,
City of
Park,
2003 Static, Conduit Gallery,
2002 With Reasonable Accommodation, Gallery
400,
Les coups de l’histoire
2000
Defense D'afficher TBA Exhibition Space,
1999
Recent Collages,
Northeastern
1983 Ceci
n'est pas une vide Roger Ramsay Gallery,
1982 After All (for RPW) Artists Space,
Polaroid
collages: Recent Photographs, Nancy
Lurie Gallery,
1981 Persistence of Vision Randolph Street
Gallery,
1980 Nancy
Lurie Gallery,
1979
A St. Gallery,
AWARDS
2002
Experimental Sound
Studio,
2001
The Art Council/
Artadia Award, Jury award recipient
1999
Illinois Arts Council, project completion
grant
SELECTED GROUP EXHIBITIONS
2006 Teenage Fan Club, Janette Kennedy Gallery,
2005
Ghost Writing, “Durand Amorphous
Solid”
Drawing as Alterity, Forum Gallery,
Conspicuous
2004
Uncovered: Recent Acquisitions from the
MCA Artists' Books Collection,
Museum of Contemporary Art, Chicago,
IIL
2004
Derive,
for the Opening of Millennium Park,
Chicago, IL
The Stray Show, with Gallery 400, Art
Chicago, Chicago, IL
Sound
Art Festival, Institute
for Contemporary Art Overgaden,
Disintegration
Effect, “Good and Bad Things Come from Explosions”
Athanaeum Theater,
Anonymity,
“Sound canopy” Public sound installation,
Constructions: design & architecture,
Fine Words Butter No Cabbage, 26th Anniversary Exhibition,
White Walls,
2003 Autumn Almanac, Unit B Gallery,
Urbs in Horto,
City Views,
2002
The Art Council Award Exhibition Gallery 312,
Sculpture in
Digitalis, Sonnenschein
Gallery,
2001
Between the Folds one night installation, solo show NFA Space,
Con/textual,
2000
Mean Souls, like mean pictures, are often found in good-looking frames
1935 W. Thomas,
Agitator Glass Curtain Gallery,
Site Works Gallery 312,
Synthesis: Collage and Mixed Media Sonnenschein Gallery,
1999
Bookmarks, NIU Gallery,
1998
Earth Escapes Landscapes, organized by Phil Berkman,
Cultural
Center,
Way, 3 person exhibition, TBA Exhibition
Space,
1997
Addendum: Art in
Gallery,
Not Renoir,
1993
not/knot
1992
Feuilletons, two person exhibition, CCA Gallery,
1990
10 on 8, storefront
window exhibition,
1986
The Public Art Show traveling
exhibition, curated by Ronald Jones travelling
exhibition with catalogue High Museum of Art,
1985
A black,
a heap, a page -- tribute to Robert Smithson, outdoor
installation, Randolph Street Gallery,
1985
1840 West Hubbard,
1985 Permanent
Collection of Artists' Books,
1984 Display
Windows, 10 on 8,
1984 Hundreds of Drawings Artists’ Space,
1983 Artists Work in Clay Lill
Street Gallery,
1982
As water defines the fish,
Part I, N.A.M.E. Gallery,
1982
Opening New Doors Randolph Street Gallery,
1982
Studio as discourse
project at
1982
1982
Just Above
Midtown/Downtown,
1982
Mixing Art and Politics Randolph Street Gallery,
1981 Artists'
1981
1981 Working Drawings Randolph Street
Gallery,
Our Town, Part 2 Nancy Lurie Gallery,
1980
Nancy
Lurie Gallery,
1980
(catalogue)
Review and Preview Nancy Lurie Gallery,
EEBEE GEEBEES Nancy Lurie
Gallery,
1978 Review and Preview Nancy Lurie Gallery,
1977 4
by 4 East Hubbard Gallery,
PLAYS, PERFORMANCES AND
2006 The Failure of Modern Politics, &NOW Literary Festival,
2004
Apostrophe, with Fred Lonberg Holm, Buddy
Gallery,
2002 Residency
at Experimental Sound Studio,
2001 FROM PLOT, sound work, The Kitchen,
1999
1999
The
Page Appears to be Blank, audiotape works, collected and
catalogued,
1992
Science Fiction
presentation to CAA annual meeting
1991
The Black Paintings a
play, Blue Rider Theater Festival,
1991 Instrumental
Reason poetry series, Nancy Lurie Gallery,
1990 Cryptomnesia, a
work for three voices with Dan Ursini and William
Fuller, Club
Lower Links, Chicago, IL
1989
That Time Problem
poetry series, Club Lower Links,
1988 The
Nations poetry series, Club Lower Links,
1988 The Sound of Music performance in
collaboration with Sean Elias, Robin
Lockett
Gallery,
1987 The
Categories of Robert Smithson Northwestern University,
1983 The Sound of Music/The Theory of Praxis,
a play, Link's Hall Studio, Chicago
1983 Nobody is ever missing with John Judd,
School of the Art Institute of
1983
Judaica,
1982
1981
No Business with John Judd,
EXIT,
1980 Recent
Fiction, reading by Richard Brettell and John Judd
1979 "Psychedelic
Shack/a duet" with John Judd, Randolph Street Gallery,
1977 "Reasons"
with John Judd,
PUBLICATIONS
2006 “Haim
Steinbach and Martin Heidegger” InterReview 06
2005 “Freud’s Museum” Artist Project InterReview, 05
2002 the bells (soundtrack to Hotel Terminus)
audio work on CD
2001
Hotel Terminus book
published by WhiteWalls
2001 Reading
Effect, WhiteWalls # 43
1998 "Crossings"
WhiteWalls
#40 Spring 1998
1994 "Placing
Time," catalog essay on Julia Fish for exhibition, Correspondences,
1990 "Warming
of a dish fit for revolution" review of The Futuristic Cookbook
by F.T. Marinetti,
1989
Ottotole,
Number 3, Spring issue: "I 1. 30.87-2.88"
with William Fuller
and "Interview"
"The
place where punk rock and social theory meet" review of Lipstick
Traces by Greil
Marcus,
1984
"The Sound of Music/The
Theory of Praxis/The Tyranny of Repetition," White
Walls
#10/1, Spring/Summer 1984.
1983 "As water defines the fish, Part
3," magazine project curated by Ronald
Jones,
Art Papers, summer issue.
"As
water defines the fish, Part 2," magazine project, artists' pages, New Art
Examiner, summer issue
VISITING ARTIST/ LECTURER
2005 “Dan Flavin as Historian” guest
lecture, Fort Worth Museum of Modern Art,
Ft Worth TX
Visiting artist,
2004
Visiting art, DePaul university,
Visiting Artist, The School of the Art Institute,
2003
“The Love of Ruins” Artists Connect, The Art Institute of
2003 Pougialis Award advisor,
2002
2002 Visiting
Artist,
2002
"Art Talk"
2002
"Fight the
Power"
2000
Visiting Artist, "Post Genre
Writing" School of the Art Institute of
1997
"Artists lecture... in
conjunction with Not Renoir,
1992
Panel discussion with
Scott Rankin, John Torreano and Julia Fish, College
Art
Association, Annual meeting,
1985 "Work, the Workplace,
'Other Places,' Ruins" NAME Gallery,
1985 "Prolegomena to Any Future
Art-Making," School of the Art Institute of
Chicago,
1985 "Photography
as an Activity, Photography as Action," University of
1984
"Artists' Diaries, Notebooks,
Journals," lecture series, School of the Art Institute
of Chicago,
1984 "Use of Photography in
Postmodernist Art," School of the Art Institute
of
1984
1984 "Conceptual
Art,"
1983
1983
"Art in the
Street," Northwestern University,
1983
School of the Art
Institute of Chicago, guest, Art History Dept.
1982 Hinsdale
South High School, collage workshop,
1982
School of the Art
Institute of Chicago, guest, Painting Dept.
1980 School
of the Art Institute of Chicago, guest, Sculpture Dept.
1979 Portland
School of Art,
SELECTED BIBLIOGRAPHY
2005 Simblist, Noah, “conspicuous Production: The
First Two Years of the UTD/ South Side
Artist Residency” Artlies Fall 2006
Terranova, Charisa, “Bent Optimism” exhibition essay Conduit Gallery
Dallas TX
“Susan Wheeler” interview, BOMB summer 2005
2004 Artner, Alan G., Lapthisophon’s Soundsacpes, Chicago Tribune, September 3.
Brettell, Richard, “Stephen lapthisophon and
the Gesture” exhibition cataloguew,
Rosenfeld, Katheryn.
Chicago Summer, Art Net, www.artnet.com August 28.
2003 Hixson, Kathryn review of With Reasonable Accommodation, frieze
April 2003
Morse, Annie, Static
exhibition essay Conduit Gallery Dallas TX.
Thurston Moore & Byron Coley , review of Hotel Terminus, Arthur Spring 2003
Aveilhe,
2002 Wainwright, Lisa, “Found Objects in the Art of Stephen
Lapthisophon” exhibition essay
Gallery 400,
Jepsen, Cara “On Exhibition:
Finding Your Way When Disability Strikes”
Reader,
2001Purcell, Greg, review of "Mean
Souls..." New Art Examiner October 2000
Snodgrass, Susan, "Agitator: Contemporary Art of Propaganda” C
International
Yood, James, Review of TBA exhibition, Artforum, April
2000
Hawkins, Margaret, "Putting up Fun" Chicago Sun-Times
1993 McCracken, David,
"Alternative Spaces Look Back and Sally Forth,"
1993 review of Robert Smithson
exhibition, NAME Gallery,
1992 McCracken, David, "Bao's Monkeys Evoke Human Moods,"
Tribune, November
1990 Bulka,
Michael review of "Your Message Here" New Art Examiner
1989 Taylor, Sue, "Present at the
Creation" catalogue essay,
1988 McCracken, David, "Impossible
Pictures,"
1984
English, Christopher, review of "The Sound of Music/The Theory of
Praxis," New Art Examiner, April
1984
1983
English, Christopher, "Artists Work in Clay," New
Art Examiner, June, p.17
1982 Lundy, Larry, "Opening New
Doors," New Art Examiner,
Dec., 17
1981
Elliot, David, "Rube Goldberg meets Spike Jones," Art News,
Nov., 181
1981 Artner, Alan, "
1981 Haydon, Harold, "Our Town, Part 2,"
1979 Rickey, Carrie,
"Chicago," Art in